A brief homage to Rodolphe Töpffer in a zigzag travelling inspired by the drawings of the Geneva author. The short trip starts with a stroller and ends with a reader.
An intimate portrait of Paul Kelly, Australia's foremost singer-songwriter. In a career spanning more than thirty years he has documented the history of our country, described its landscapes and cities, and captured the lives and loves of its citizens. Kelly has written over 350 songs, penned lyrics for many other singers, co-authored songs and written for film. But like all great artists Paul Kelly is both candid and reserved. He has lived in the public eye but has remained an enigma.
One for the Road is a live concert video by the rock band "The Kinks". It was released in conjunction with a live album of the same name. Many of the bands classic songs are featured, including "You really got me", "Lola" and "Celluloid Heroes"
Ezio Bosso reveals his real self and takes us into his world and his imagination, as if were a diary.
This short is the unauthorized, heavily abridged, biographical, visual and supersonic moment about the fact that Johnny Allen Hendrix (aka Jimi Hendrix) knew how to skydive. Set in Seattle where Jimi was born and raised, the film wonders aloud about what this skill meant for the life he went on to lead. Why did he retreat to the sky so quickly before all of us were ready for him to go?
Are you ready for another 2 hours of non-stop jokes and music? Welcome to "Mer Bake 2", a sequel to "Mer Bake".
Dark City Beneath The Beat is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate through music, poetry, and dance. From the city’s social climate to its creative LGBTQ community, Dark City Beneath The Beat showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence.
1 minute experimental film.
An anti-music video for a Patrick Juvet song
A slow-motion study by Norman McLaren of the pas-de-deux adagio, one of the most exacting and difficult dances of classical ballet. A ballet originally choreographed by the Russian ballet master Asaf Messerer is performed for this film by the internationally known Canadian pair, David and Anna Marie Holmes, to the music of Albinoni’s Adagio. A film to heighten the aesthetic appreciation of classical ballet and to afford observation of the technique and mechanics of the adagio movements.
Documentary about the late Chicago artist and musician Wesley Willis. Filmmaker Daniel Bitton follows Willis throughout the Chicago area, riding the bus, talking to friends and strangers alike, selling his CDs to record shops, and going about his day. Willis was memorable to many for being schizophrenic as well as 6'6" and over 300 pounds but was loved by his fans and friends for his quirky, oddball music, artistic talent, and for being a real gentle giant. He was a testament to the human drive to survive and create, as he himself was a survivor of extreme poverty, mental illness, child abuse, racism, and obesity. The fact that he lived to see 40 was incredible, but his having a successful music career and being able to function was even more so.
A film documentary that goes behind the scenes of Peter Gabriel's 2004 Still Growing Up Tour.
Derek Jarman’s Will You Dance with Me? is an essential document of LGBTQ London that was unseen until 2014, 30 years after it was originally shot. In September 1984, Jarman was invited by director Ron Peck and writer Mark Ayres to record improvisations at Benjy’s, a gay club in East London’s Mile End district, as part of the early experimental work for their feature film Empire State, a neo-noir that would be released in 1987. The coed, racially diverse crowd of roughly 100 people at Benjiy’s that night included club regulars, bar staff, and potential players in Empire State. Every single detail captured in Jarman’s on-location assignment abounds with era-specific riches: from the New Romantic cutie journaling while nestled in a corner booth to the DJ’s cheerful exhortations and the songs he spins (“Let the Music Play,” “Planet Rock,” “Relax").
A young man unearths an ancient relic that lets him peek into the future. In his obsession to control what lies ahead, he risks losing all that matters most in the present.
In order to save their home, tenants of a boarding house put on a show.
Aguilera's first concert video, a repackaging of a slick special that aired on ABC-TV in 2000, shows what this "girl" really wants is to move beyond the bouncy R&B-flavored pop she's known for. Her cheeky hits ("Genie in a Bottle," "Come On Over, Baby," "What a Girl Wants") are followed by songs from Mi Reflejo, her Spanish-language album, and My Kind of Christmas, her holiday release. She has sweet duets with R&B legend Dr. John on "Merry Christmas, Baby" and balladeer Brian McKnight on "Have Yourself a Merry Little Christmas," and shares the stage with rapper Lil' Bow Wow (weird, but it works) on "So Emotional" and "Christmas Time."
“The Black Sabbath Story, Volume One” traces the roots and origins of Black Sabbath on an album by album basis and features rare performance footage including N.I.B. Paranoid, and War Pigs. Watch Ozzy and company slay the 300,000 plus crowd at California Jam 1974 with a blistering rendition of Children of the Grave. Black Sabbath is a highly visual band and one of the earliest metal groups to experiment with promotional videos. Their hilarious video for Sabbath Bloody Sabbath captures the spirit of similar videos put out by The Beatles. There are a couple of other songs here captured live from the “Never Say Die” tour including Snowblind, Symptom of the Universe, and Rock ’n’ Roll Doctor. All of these performances are professionally shot and Warner Bros. shows them uncut and without narration. “The Black Sabbath Story, Volume One” covers all the bases of the Ozzy years.
On May 30, 1990, Midnight Oil interrupted its North American tour for a “special guerrilla action” on the crowded Avenue of the Americas in midtown Manhattan. The agit prop event was a live concert from the back of a flat-bed truck that eventually drew more than 10,000 people at the high noon hour. The Australian band took this chance to make public its feelings on the planet’s crumbling environment
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