1-2-3 (1955)

123 from Amalapuram

Paramdham, Pedda, and Chinna are three spoilt brats who fall in love with the same girl. Later, they move to Vizag due to their reputation and help a girl overcome her troubles and move ahead in life.

1,2,3

Super 8, colour, silent, 3' 20"

Vérité de la démocratie, Jean-Luc Nancy (1,2,3)

In 2009, Klotz and Perceval visit Jean-Luc Nancy at his home in Strasbourg, where they record a conversation in three intervals, in which the zenith of political discourse blends with everyday life. A lesson that is reflected in the communities at the center of both author’s films.

1-2-3

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

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Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

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A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

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Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

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Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.

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A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

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Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Citizen Toxie: The Toxic Avenger IV

A horrific explosion creates a dimensional portal between Tromaville and its dimensional mirror image, Amortville. While the Toxie is trapped in the mirror dimension, Tromaville comes under the control of his evil doppelganger, the Noxious Offender.

RETURN

8mm work directed by Norihiko Morinaga.

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A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.

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Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.

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