An irreverent and sometimes offensive dark comedy in a world where Jovi (God) and Lou (Satan) negotiate the fate of all humanity, one game piece at a time.
A powerful anthology of short films, made by and about women, shining a compassionate light on mental health.
The magician appears upon the stage with an imp as his assistant. The imp holds a piece of cloth in his hand. At the command of the magician the cloth is suddenly transformed into a beautiful girl, clad in tights. A barrel is then introduced and the girl enters one end.
A young couple, Christian and Louise, are woken up by their sweetest slumber a morning. Two employees in their property company acquire access and take photographs to prove that Christian and Louise live illegally. The young people may be thrown out of their homes - but might find something else along the way.
May 1944. A young man just out of college returns to his hometown in Luxembourg. Refusing to fight on the German side, he chooses a clandestine life and joins other deserters in an abandoned mine
Alice and Julius, as a team, are one of four entrants in a $10,000 balloon race. The bad guy takes out one balloon quickly. It's not clear what kind of balloons these are, since they are sealed like hydrogen/helium balloons, but a good thwack on the top by the bad guy sends Alice and Julius plummeting to the ground, balloon still intact. Julius makes some attempts to re-launch, but they fail. He spots a hippo, smoking nearby, and has an idea: using some pepper, he creates a massive sneeze that re-launches them. But he wasn't onboard. Alice throws down a rope ladder, but it isn't anchored; Julius eventually pulls himself up with a rope. They are then immediately under attack by a lightning storm, which deflates the balloon. Julius makes substitutes from, first, a weiner dog and a couple of empty thought balloons, then, an elephant with extra air pumped in. He grabs a passing bird and catches up to the bad guy, then finds himself in another battle with lightning.
This short film follows a man lost in the woods driven by his fear of the unknown.
Antoni Cimolino’s chilling production of Macbeth takes you back to the stark reality of the 11th century, when the murderous king clawed his way to power. It has been praised as “a thrilling terror,” (Globe and Mail) “a bold and brutal take on the Scottish King’s tragic tale” (Toronto Star), and “a brilliant, terrifying show” that leaves people “gasping in the dark” (Chicago Tribune). Starring Ian Lake in “a galvanizing performance as an unusually young and sexually magnetic Macbeth” (New York Times) and Krystin Pellerin as “a standout Lady Macbeth … at once adorable yet devious” (Postmedia), this is a production that will haunt your dreams and leave you tingling. All hail Macbeth!
A gay jewish man speaks out about living with and dying from AIDS. He also discusses how being gay has affected his identity as a jew and his relationship with his parents.
Emmi goes to bed after a house party and is about to sleep when her old classmate Jani entering her room. Emmi lets him sleep on the floor, but Jani doesn’t wanna sleep.
“The filmmaker took several different scenes shot earlier between 1896 and 1899 and double-printed two sets of images together to create a new artistic creation. The transformation of a stage dance into a unique ciné-dance could only be possible in cinema - Bruce Posner
Nithya, an IT professional, gets abducted and locked up inside a room by masked strangers. A random call connects her to Bala Subramaniam, a youngster with intellectual disability. Can Bala with his low level of understanding save Nithya?
Thanks to a secret message hidden on the two sacred swords Kaen and Suien, the samurai Genji Kurô (Nakamura Kinnosuke) found the hidden treasure of Lord Yoshitsune. When he gives a piece of the treasure to a couple of poor but honest people so they can pay their debts, it attracts the unwanted attention of several dishonest people, such as pirates, greedy merchants and rebels. While the government is fighting a battle for power against rebels and royalists, all want the treasure by any means possible.
A traveling gravedigger during an (unspecified) war adopts a orphan he finds alone in the desert. After the war with the orphan grown and business slow, the orphan begins to generate business himself by shooting people. The orphan wants to make one big score by robbing a bank but the gravedigger resists. Their dream is to open a fancy funeral parlor and cemetery. The orphan becomes obsessed with a prostitute he saw who was later abandoned by her outlaw partner after a robbery attempt on a gold wagon goes bad. He eventually leaves the gravedigger to find her
Amshir works as a bodyguard in the cabaret owned by his Medhat al-Shamshiri, and a court sentences Medhat to a month in prison after he burned the mustache of a wealthy Upper Egyptian named al-Najawi. Amshir goes to prison instead of Medhat for money. in meanwhile Medhat relation with Azhar (al-Najawi girl) is revealed to Sohair (Medhat Fiance).
He was at the bay when his world split in half.
For Josh Kirby, time is one big banana peel. Just as he's whooshing safely into hypertime, he takes a cosmic header and ends u in a bizarre place called Toyworld. The odds against Josh being relocated by his far-off crew: exactly 5,487,603 to 1. The odds that pursuing mad metalhead Dr. Zoetrope will find him are... Sorry, Josh, it's a slam dunk. But Josh has allies. The lifelike toy creations of fuddy-duddy tinkerer rally to his cause.
Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth the spirit of one who was larger than life as recounted by those who knew her. Teiji Ito's family, Carolee Schneemann and Judith Malvina, float through the homes recalling in tiny bits and pieces words of Deren's architectural and personal interior space. Clips from Maya Deren's films are projected back into the spaces where they were originally filmed appearing on the floorboard, furniture, and in the bowl of her former sink. Fluid light projections of intimate space provide an elusive agency for a filmmaker most of us will never know as film with its imaginary nature evokes a former time and space.
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