In this sing-along trailer, Mickey sings "Minnie's Yoo Hoo" while the audiences sing along to the words on the screen.
The clock and whistle above a factory door sound for lunch, and the workers run out. A bear tries to eat his sandwich, but it opens like a big mouth, when he opens...
Mickey comes onstage to the applause of an unseen audience and plays various classical tunes on the violin, after some minor mishaps. During a sad song, he is overcome with emotion and has to stop.
Pluto accidentally hatches a bunch of chickens and looks after them until the hen returns.
8mm film by Swiss artist Roman Signer.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
In Christmastime Miami, heartbroken divorcée Giorgio invites himself to stay at his best friend Mario's — unaware that the latter is having an affair with his ex-wife — and ends up pursued by Mario's barely-of-age daughter; nosy and out-of-touch Ranuccio crashes his son's sex-themed holidays before ending up in a series of mishaps with Giorgio.
A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.
The story of some Italians at Beverly Hills during the Christmas holiday.
In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.
Fabio Leone and Paolo Pecora are two police officers from Rome, which together with the careless Neapolitan Ciro Marmotta, are fired from the barracks to have scuppered the plan to capture a secret agent.
Daisy Jones had been married just a year when her husband failed to kiss her one morning, and she decided that he did not love her any more.
Sharing the same psychologist, kleptomaniac Roberto, who writes stories a bit too realistic and scary for kids, and a narcoleptic Beatrice, who documents everything in her life, begin to think that love could be the cure for their problems. But nothing comes easy to either of them, and, just like in one of Roberto's stories, the happy ending really needs to be sought after. Will they find their own?
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
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