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A woman living alone is visited by her ex-husband. At the same time a young couple who are about to break up get trapped in the town as public transport is cut off.
In I Can't Give You Anything But Love, Baby, Broderick Crawford plays a sentimental gangster who abducts songwriter Johnny Downs and forces him to write a love ballad. It is Crawford's hope that the song will reach out and touch his long-lost childhood sweetheart. I Can't Give You Anything But Love, Baby was based on James Edward Grant's short story Trouble in B Flat; echoes of the basic premise later resurfaced in the 1957 "A" picture The Girl Can't Help It.
An impossible love story - Huda, an Israeli Arab, and Alex, recently immigrated to Israel, overcome all difficulties.
Based on the ancient Japanese Tale of Genji. This film is set in 900AD and tells the story of a famous female writer of the time, Murasaki Shikibu. Her story begins from the death of her husband, a Japanese noble, then moves on to her recruitment to train the Prince's young 'wives in waiting'. It is dotted throughout and actually composed mainly of one of the fictional stories she wrote, the tale of Genji. Genji is a rich playboy who falls in love and has a son to his stepmother. He falls in love often and has many wives whom are all completely subservient to him. Genji is played by a woman actress from the all-female Takarazuka theatre. The two interrelating stories are also interrupted occasionally by fantasimical musical clips from a past Japanese teen-idol, Seiko Matsuda.
Kazuo Mido is a pastor at a small church. He lost his wife 8 years ago and raises his only daughter, a junior high school student, singlehandedly. When she is diagnosed with an illness, he undergoes a drastic change.
Handmade utopias - a filmic search for the worldwide phenomenon of the micronation movement. Do-it-yourself states that have distanced themselves from the economic and political mainstreaming of globalization. A road movie covering land, water and the wildest realms of the imagination. Simultaneously creative documentary and pulsating cultural portrait, the film traces a new "unplugged" generation - their motives, their anxieties and their dreams.
Qallunaat! Why White People are Funny is an irreverent look at Western Civilization through Inuit eyes. Inspired by the satirical essays of Zebedee Nungak, the film turns the tables on generations of anthropologists, teachers, adventurers and administrators who went North to pursue their Arctic Dreams. Now it’s their turn to be poked, prodded, examined and explained. A new generation of Inuit is ready to take on the Qallunaat at their own game. Grounded in their own traditions but educated in the South, they have a unique perspective on the culture that has come to dominate the planet. And they are not afraid to speak their minds.
A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.
Campinos on horseback drive small herds of cattle through the vast area of the traditional fair, before prospective buyers.
An overprotective mother tries to stop her son's budding relationship with a flirtatious young divorce.
Oh lulla-lullaby, How I want to sleep, So I'll put my head, On the white bed, Maybe I will fall asleep... Film about childhood that never returns, about dreams that can’t come true and about madness as a kind of happiness or grief.
Israeli gag comedy starring Boaz Davidson and featuring songs by Ariel Zilber.
The disappearance of two boys at a lake, during a scorching summer afternoon, forces us to question who we really are in the face of our own humanity.
A negligent carefree young boy rising to high position in the bureaucracy against all odds.
Interviews with cast and crew on the Villa Arabesque Mexico set of the James Bond movie Licence to Kill (1989).
The red clayman is bored... and apparently, he has nothing better to do than bother the yellow clayman.
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