Kinky Hoodoo Voodoo (2004)

Der Milchshorf: La Costra Láctea

Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".

Forest

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Afsana Pyar Ka

Animosity has existed between the families of Raj and Nikita's respective fathers. But their children have grown up without any knowledge of this animosity. They meet in college, and after a few misunderstandings both fall in love with each other. They plan to marry, and accordingly inform their respective families of their plans. Both the families view this alliance with anger, and refuse to bless the young couple. Raj and Nikita have one choice - marry the person their respective families' have selected for them - or elope.

The Olsen Gang Sees Red

Egon and the gang are hired to stage a robbery of an antique Chinese vase for an economically challenged baron. Naturally they fooled, which infuriates Egon. The gang tries to get back at the baron by switching the vase with a cheap Hong Kong copy. One attempt is made during the barons hunting party, where Egon ends up being bricked up in the catacombs. In another attempt, the gang has to coordinate breaking through several walls at The Royal Theater in Copenhagen with the "Elverhøj" overture.

Avenger of the Seven Seas

It's 1790 and British Naval Commander Redway is driven by greed for money and will stop at nothing to get it. His second in command, David Robinson, questions his allegiance when Redway kills his father and takes his brother prisoner. In order to save his brother and avenge his father's death David must join forces with a band of pirates, led by Captain Bernard, hunt down and kill Redway.

Panda

Antonio and Beba are a pair of panda bears besieged by the classic obstacles of a young couple. Their life together is defined by routine, until one day they are forced to live with their favorite singer.

Cabalgando con la muerte

Wandering gunslinger trains peaceable farmers to defend themselves for an impending range war.

Janet Jackson - All For You

Japanese reissue of Janet's #1 2001 album. Includes "Doesn't Really Matter", the #1 title track, "Someone To Call My Lover", "Son Of A Gun", and "Come On Get Up". Special edition inludes a bonus DVD with all of Janet's music videos from the "janet.", "Velvet Rope" and "All For You" albums.

Rob Delaney: Live at the Bowery Ballroom

Rob Delaney may not yet have the name recognition of comedians like Louis C. K., Aziz Ansari or Jim Gaffigan. But with the help of his large and loyal Internet following, he is hoping he can take a page from his accomplished industry colleagues, and start creating material for and selling it directly online.

Vendeta

Tommy Tiernan: Loose

Filmed in 2004/2005 at Cork's Marquee Festival, Glor Ennis, Vicar Street in Dublin, The Galway Arts Festival, The Electric Picnic in Laois and The Edinburgh Fringe Festival. RUNNING TIME: 1 hour 11 minutes SPECIAL FEATURES: - Filmed at the 2004 'Just For Laughs': The Montreal International Comedy Festival (15 minutes approx.)

The House on Dame Street

An investigator investigating the disappearance of a previous investigator runs into a spot of bother involving things that are not quite dead.

INAATE/SE/

INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.