A virtually invisible cab driver goes through the motions working his route, until one fateful night when a fare invites a chance to connect.
Prefaces is composed of wild sounds constructed along entropic lines, placed tensely beside bebop rhythms, and a resurfacing narrative cut from a dialogue with poet Hannah Weiner. Child tells us, “The tracks are placed in precise and asynchronous relation to images of workers, the gestures of the marketplace, colonial Africa, and abstractions, to pose questions of social force, gender relations and subordination.” This tape serves as a pre-conscious preface to the parts that follow, whose scope and image bank are more narrowly defined.
After an altercation two men exchange cards, an invitation to adjudicate their differences on the field of honor. The seconds make all arrangements and at the appointed hour, the combatants appear. Both, however, are possessed of mortal fear and their aim is so uncertain that after numerous attempts and trials of various forms of weapons the seconds cheerfully call the match a draw.
"When I Grow Up" follows the imagination of a young boy's dreams for his future.
Vijay realises that the state politicians have evil intention and are joining hands with terrorists. He wants to ensure the public is safe. He starts off on a journey to find and put the terrorists to justice.
A group of survivors take refuge in an apartment. But the zombies will not be their only problem, a fervent priest used his divine ability to extend the trial of his Lord on the hidden sinners.
Within an aged, run-down mansion upon the forested terrain of 'The Mount', Philomena, a bohemian senior who refuses to relinquish her life of solitude and luxury, prepares for her favorite night of the year, Halloween. As she prepares, her desire to be left alone is rudely interrupted by a band of four children who make their way to her front door.
Famed concert pianist Stephen Orlac survives a plane crash, but his hands are permanently destroyed. Helpful surgeon Volcheff grafts a pair of new hands on the hapless Orlac. Unfortunately, they're the hands of an executed murderer – useless for a pianist, but quite handy for less delicate work...
There is a dance in Kurdistan, performed in mourning ceremonies. This tradition has not been performed in many parts of Kurdistan for the last 50 years. This documentary is about Ali, a Kurdish dance master, who decides to perform the dance for his friend who lost his life in 1980s war in Sanandaj.
The Tokugawa new Shogun is not interested in women. A nobleman with the help of a lady thief replaces the Shogun with a double, while he learns about love. But the double finds pleasure not only in women, but in his new status.
Registration of the fourth theatre program by the Dutch comedian Theo Maassen.
A modern, Los Angeles grifter story steeped in the city's pulp fiction tradition. It centers on Ian, a wayward errand boy who longs to move up the Hollywood ranks, but has attained little more than heartache and debt, and the beautiful Anna, an aspiring actress fresh off the bus from Kansas.
A young filmmaker goes on a surreal, reality bending journey in order to film the perfect scene.
This movie was produced by the beauty brand Lancome and fashion magazine Marie Claire’s collaboration to celebrate International Women’s Day on March 8th.
A cowboy goes to help out his friend, who has been falsely accused of murder. The two find themselves in the rugged and mysterious Pallidi Mountains, where they come up against an outlaw gang that is searching for a buried Inca treasure, which is guarded by a lot Inca tribe.
Being a cartoonist and caricaturist, Dragić applied for a competition organised by Zagreb Film and so his succesful career as an animator started. However, his films remained strongly connected with his comic strips both in terms of style and narrative, and some of these are actually the animated version of his comics. Elegy, Dragić's debut film, for example, is based on his comic called Nostalgia, as he explains in an interview with Bosnian-Swedish theorist and animator Midhat Ajanović in his book "Nedeljko Dragić: The Man and the Line" (2014). Elegy is about a prisoner longing for the flower that caught his eye through the bars of his cell. The animation is quite static, a quality coming from his background in comics.
After missing out on his co-workers winning lottery pool, the lonely Jairo embarks on an extraordinary Christmas adventure as a helper to none other than Santa Claus himself.
Mongolians call people who don’t respect life and nature “monsters.” A father drags his monster son to temple to save his spirit and get healed.
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