The Veterinarian's Adopted Children is a 1968 Danish comedy film directed by Carl Ottosen and starring Dirch Passer.
Fængslende feriedage is a 1978 Danish family film directed by Finn Henriksen and starring Jørgen Ryg. It was also Dirch Passer's final film.
A pig dressed in fancy clothes flirts with a pretty girl, but she humiliates him and tears off his suit; she then makes him dance for her affections.
When a simple house robbery goes wrong, a burglar becomes the house guest of a sadistic loner.
A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Santiago is a skeptical young man, but his friend Andrés is obsessed with a mysterious door in the forest that he says is capable of taking them to another world. One day, Andrés disappears without explanation, which will lead Santiago to cross the mysterious door to find him.
Manuel, a cocky and braggart guy, applies for the management position of a haute cuisine restaurant, but he didn't count on that Sofia, a smart and beautiful girl, applies for the same position, which will lead them to compete in funny situations during a trial period.
Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.
In this animated version of the Jean Webster classic, living in an orphanage, Judy Abbot earns a scholarship to study at a prestigious American university thanks to a mysterious admirer.
David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.
Surviving contestants are reunited in the ultimate game to win $10 million. Only one contestant will survive and claim the prize as the others fall to the dinosaurs!
Four seasons to tell the fluctuating moods and mores of a small community that shares its daily chores and life experiences in the military base of Fort Buchanan. In this imagined (perhaps dreamed?) location, peculiar habits respond to the needs of a peculiar environment. Roger, a fragile gay man, and his female companions, trying to cope with the absence of their husbands, go through their own brand of challenges for survival, with their own form of outdoor camaraderie, thought-occupying chat and DIY activities. Roger has a tough daughter who runs him ragged, but he has buddies willing to help: Justine, Denise, Pamela and Claudia-Joy.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
The film is about the stepmother who tried to be a real mother of a boy. But she could be a real mother only after some difficult events for her and child.
It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.
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