A corrupt lawyer hires a killer to murder his client's divorced ex-wife. The start of a true love story.
A group of men team up against a ruthless mob.
2 of One is a video album by American heavy metal band Metallica. It was released on June 6, 1989, through Elektra Entertainment and features two versions of the group's first music video, "One", from their fourth studio album "...And Justice for All". The music video One was directed by Bill Pope and Michael Salomon and was filmed in Los Angeles, California. It features clips from Dalton Trumbo's anti-war film Johnny Got His Gun (1971). All parts of 2 of One are also included on the DVD "The Videos 1989–2004", released in 2006.
In an attempt to save their movie, the Fruitbird gang give's an interview on Fridays on Tuesdays.
Written and directed by Hitchcock historian Noël Simsolo, this 2004 French television documentary explores the earliest years of Alfred Hitchcock's film career, beginning with his success in the production of The Lodger (1926) and following the filmmaker through his transition to sound films and his early thrillers.
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn't seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who's about 10 or 12, tries to break through his father's silence and sorrow by taking matters into his own hands.
Documentary filmmaker Simone de Vries follows Rutger Hauer around his homes in Hollywood and Friesland, the Netherlands as well as several movie sets around the world.
The famous TV journalist Marcy Singer receives an anonymous phone call that orders her to the Blue Moon bar. When she arrives, she finds 6 corpses. Urged by her new boss, she investigates the case, and soon learns about evidence against her own husband Reed.
George cuts out a paper star to top his Christmas tree but, dissatisfied, decides to go for the real thing - an unusually bright star that seems to beckon him from the sky.
Out west, tenderfoot Woody uses his slingshot against Indian Buzz Buzzard in a shooting contest.
A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.
A less-than-serious Leeds team take a four-goals-and-two-tries battering from Hunslet.
This film provides a broad overview of Ju/'hoan life, both past and present, and an intimate portrait of N!ai, a Ju/'hoan woman who in 1978 was in her mid-thirties. N!ai tells her own story, and in so doing, the story of Ju/'hoan life over a thirty year period. "Before the white people came we did what we wanted," N!ai recalls, describing the life she remembers as a child: following her mother to pick berries, roots, and nuts as the season changed; the division of giraffe meat; the kinds of rain; her resistance to her marriage to /Gunda at the age of eight; and her changing feelings about her husband when he becomes a healer. As N!ai speaks, the film presents scenes from the 1950's that show her as a young girl and a young wife. The uniqueness of N!ai may lie in its tight integration of ethnography and history. While it portrays the changes in Ju/'hoan society over thirty years, it never loses sight of the individual, N!ai.
In I Can't Give You Anything But Love, Baby, Broderick Crawford plays a sentimental gangster who abducts songwriter Johnny Downs and forces him to write a love ballad. It is Crawford's hope that the song will reach out and touch his long-lost childhood sweetheart. I Can't Give You Anything But Love, Baby was based on James Edward Grant's short story Trouble in B Flat; echoes of the basic premise later resurfaced in the 1957 "A" picture The Girl Can't Help It.
This is about a certain year. How things could go from bad to worse within a year. We focus mostly on a guy’s life (Mark Fisher), and how his life affected others within that period of time. Just how bad does a person have to be before the Lord intervenes and puts a stop to it? Problems have to be given immediate attention to avoid future escalations. Mark Fisher uses his devilish tactics to turn his mom (Laura Fisher) against his dad (Kenneth Fisher) by subduing him with his weaknesses. Knowledgeable people live their lives knowing 365 days is only around the corner while foolish people live their lives thinking it is forever. A day spent is a day lost. Once your 365 days are gone, they can never be retrieved.
Italy, early 1940s. A rich and noble man, returning from America, has the unpleasant surprise of being dirt poor. Its magnificent castle is impounded and he agrees to become the guide allowed visitors to admire.
Timur, the son of a criminal authority named Sperm Whale hiding in an offshore zone, comes to Russia for summer holidays after several years of studying in England. Now he has his father's huge cottage, a personal cook and a squad of heavily armed guards at his disposal.
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