Päivää, herra Kivi (1984)

Hello, World

Long-time friends, Jeff and Johan have just graduated from high school. The former refuses to join his mom to move to the U.S. while the latter resists going to college. Filmmaker Joel Ferrer nostalgically captures the trials and joys of teenage love in an offbeat dramedy for his debut feature.

Kizuna AI The Last Live “hello, world 2022”

Kizuna AI's last concert held on February 26 2022, after which she will be taking a break and entering indefinite hiatus.

Trainer

Rise and fall of Jari Sarasvuo, as he transforms from a media person to business training guru during the crazy years of the 1990s and 2000s, just before the financial crash.

Six: Inside

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo

Hello! Project 2008 Winter ~Kashimashi Elder Club~

Hello! Project concert held in Yokohama Arena.

Return

A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.

Forest

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Underground Entertainment: The Movie

On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.

Te amo (made in Chile)

Sam returns to Chile from the USA after his parents divorce. Left with a sexually-abusive nanny, he makes friends with some other neglected kids: Isabel, whose mother suffers from depression after the disappearance of her father and brother, and Daniela whose mother is dead and whose father is an alcoholic. The teenagers get together to make a slasher film dealing with family issues, and finally confront their demons.

Statsminister: Özz Nûjen

Dull Hope

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

Elvis: Love Me Tender-The Love Songs

A major reason for Elvis Presley's massive, unprecedented appeal to women audiences of all ages was his love songs. Always a true romantic, Elvis recorded many, many love songs throughout his career, beginning with "I Want You, I Need You, I Love You' in 1956 and running the entire span of his life. Entire eras of his remarkable life and career can be evoked by the mere mention of the title of one of his many long songs. Mention "Love Me Tender" and a hundred images spring to mind. The same can be said for his many other songs of romance. Elvis and his love songs had remained an unexplored area of Elvis's remarkable career. Now, Love Me Tender...The Love Songs Of Elvis Presley tells the warm story of the tender side of the King of Rock and Roll. Narrated by Ashley Judd, Love Me Tender is Elvis as you've never seen him.

Blood Spilled at Takadanobaba

The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.

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