At the frontier between youth and adulthood, François is in love with Michel. Michel doesn't seem to care. The arrival of Alice, a capricious young woman, threatens to disturb this strange balance.
It is the moment of the first holiday departures, the weather is nice and warm. Leo, aged nine, is alone with his father, his mother has just died. He does not know what he is going to do, tomorrow, or later.
This film provides a broad overview of Ju/'hoan life, both past and present, and an intimate portrait of N!ai, a Ju/'hoan woman who in 1978 was in her mid-thirties. N!ai tells her own story, and in so doing, the story of Ju/'hoan life over a thirty year period. "Before the white people came we did what we wanted," N!ai recalls, describing the life she remembers as a child: following her mother to pick berries, roots, and nuts as the season changed; the division of giraffe meat; the kinds of rain; her resistance to her marriage to /Gunda at the age of eight; and her changing feelings about her husband when he becomes a healer. As N!ai speaks, the film presents scenes from the 1950's that show her as a young girl and a young wife. The uniqueness of N!ai may lie in its tight integration of ethnography and history. While it portrays the changes in Ju/'hoan society over thirty years, it never loses sight of the individual, N!ai.
The film is about the stepmother who tried to be a real mother of a boy. But she could be a real mother only after some difficult events for her and child.
The film depicts the story of Mohan, who has just arrived from Banaras to Mumbai city. He is disturbed to see how people live in cramped houses in the city of Mumbai. His entire world tilts upside down when his wife leaves him for reasons which are untrue. His family too discards him and disrespects him.
A wealthy woman, vacationing in Acapulco with her stuffy husband, stumbles upon evidence that she is being stalked by an international jewel thief and murderer.
An actuality film showing a Buddhist festival in Kyoto. The procession includes Buddhist monks, geishas, and others dressed coordinately to the Japanese tradition.
A semi-abstract animation film originally produced as a theatrical advertising film for release in India. It utilizes the textile designs of the Calico Mills of Bombay as its overall graphic structure.
The 50+ time award-winning short film, MONDAY, follows a day in the life of a young hustler who ‘code-switches’ through disparate cliques while being everyone's one-stop-shop for all things illicit. His reasons for the hustle aren’t apparent, but as he maneuvers through his neighborhood, he’ll confront racism as well as question the morality of his occupation.
Not adapting to their new life, Xosé falls down a self-destructive spiral.
It's dark terror under the blazing sun in this horrifying body count epic about a group of campers on a remote Florida island who accidentally resurrect Jack Logan, an undead sorcerer who was buried alive ninety years earlier.
When Mickey accidentally knocks out a local boxing champ, he is forced to take the fighter's place in a bout.
Mexican feature film
Borders (and all the politics attending the drawing of borders) exist to keep some people in (citizenship) and others out. This film is an attempt to capture the presence of people otherwise denied the political right to be at home in some place that is their home, where they have their roots, where they have their being.
This docu-drama focuses on the true story of the murder of fashion designer Gianni Versace by alleged serial killer Andrew Cunanan.
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