Camgirl (2021)

Allergic Overreaction

When Scott brings cookies to his friend's annual weekend long Freddy vs Jason fest, he unwittingly gives Dave an allergic reaction. And what was supposed to be a fun time, turns into a night of uncanny horror!

Beautifully Maintained and Well Located

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

Second Best

Jealousy overwhelms a group of friends, particularly struggling writer Elliot, as they prepare for the homecoming of their old friend, a wildly successful L.A. producer.

Fishin' Around

Mickey takes Pluto fishing in a boat on a lake, but they aren't too successful. The fish mock them, and even steal the bait can. Finally, the game warden spots them (Mickey had ignored the "no fishing" sign) and gives chase.

Red

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Slightly Scandalous

Disparate twin brothers find themselves involved in romantic mayhem when their respective girl friends get them confused in this musical comedy.

Donnerwetter, tadellos

The Germans were not far behind when if came to experimenting with sound and the surviving discs seem like a curious anachronism because they closely resemble the Vitaphone discs from the mid-1920s: about sixteen inches in diameter and the track started from the center and the needle moved out.

Pogoń za Adamem

Shulamith

Shulamith was written in 1883 by the father of modern Yiddish theatre, Abraham Goldfaden. The opera, based on an ancient legend, tells the story of Shulamith, a girl who is trapped in a well in the desert and falls in love with her rescuer. Although they vow to be faithful he marries someone else, but years later are reunited. Shulamith was the opening performance at the Hebrew Dramatic Club in Princes Street in 1886 and ever-popular with the crowds, it returned to the Yiddish stage in London a number of times in the 1910s and 20s. The well-loved lullaby Raisins and Almonds was written by Goldfaden for the opera.

The Circus

One of the "Out of the Inkwell" series of silent short films featuring a combination of live action and hand-drawn animation.

Tomato Republic

A flamboyant restaurateur, a good ol' boy and a political ingénue, walk into a small town political contest and compete head to head to head, for the non-paid mayoral seat of the Tomato Republic. What happens next is anyones guess. The only thing that could slow this race down is a freight train. Let the takeover begin. - Written by Whitney Graham Carter

Zombie Jamboree

A documentary on the Zombie Jamboree, the 25th Anniversary of Night of the Living Dead convention that took place in 1993. Guests included numerous cast and crew of the Romero Living Dead movies as well as cast from Russo's spin-off series, Return of the Living Dead. Other guests included horror icons Kane Hodder, Gunnar Hansen, Linnea Quigley, Brinke Stevens and Tom Savini as well as sci-fi/fantasy favorites, Adam West, Dave Prowse and Susie Owens among others. Documentary includes interviews with celebrities and fans and includes clips from events of the convention.

Return of the Secaucus Seven

Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, D.C.

Napoleon at St. Helena

Napoleon at Saint Helena (German: Napoleon auf Sankt Helena) is a 1929 German silent historical film directed by Lupu Pick and starring Werner Krauss, Hanna Ralph and Albert Bassermann. The film depicts the final years of Napoleon between 1815 and 1821 during his period of exile on the British Atlantic island of Saint Helena following his defeat at Waterloo.

The Sole of the Foot

Borders (and all the politics attending the drawing of borders) exist to keep some people in (citizenship) and others out. This film is an attempt to capture the presence of people otherwise denied the political right to be at home in some place that is their home, where they have their roots, where they have their being.