The heart-rending story of a family profoundly impacted by not one but two nuclear tragedies: Hiroshima and Fukushima.
Gilbert, his brother Boule and some friends live in Estaque. Between carelessness, petty theft and social gloom, they feel like the outcasts of a society where Gilbert has no future. This is the "last summer" that he intends to spend there, dragging his idleness, nevertheless beginning a romance with Josiane, a nice worker.
High school is almost over and four friends are going their separate ways as they go to college. But they have one more chance to spend some time together: Inspection 12, their favorite band, is playing one last concert in Jacksonville, FL.
When Crystal Wyatt was 16 her father passed away. From that time her life would never be the same. Crystal is banished from the family ranch, and starts a new life as a singer in a San Francisco nightclub.
Country's Family Reunion: A Grand Ole Time (Vol. 3) 2010 · 1 hr 4 min TV-PG Documentary · Music It's time for a grand ole time with new country music legends and some old favorites in the third installment of this concert footage series. Starring B.J. ThomasLarry GatlinNeal McCoyRicky SkaggsBill AndersonRoy ClarkBobby Bare Directed by James Burton Yockey
A seven-year-old girl adopts a vow of silence in protest when her quarrelsome parents grow increasingly hostile to one another.
The best women's wrestling competition of all time...and if you think it's fake you're in for a big surprise See LEGENDARY Mixed Martial Arts fighters coach their teams to victory in the cage! aka Chuck Lidell's Girl's Fight Club
Vaccuum salesman Evert makes the rounds in a suburban Stockholm apartment building, getting brief glimpses of the various tenants' lives. During the course of the day, he meets an arguing married couple, a lonely older woman and a younger couple preparing an anxious dinner.
Sweet Remedy: The World Reacts to an Adulterated Food Supply: While aspartame was the single focus in "Sweet Misery: A Poisoned World", its sequel, "Sweet Remedy" demonstrates that a corrupt flagship regulatory agency has given birth to numerous toxins in our food supply. A closer examination of the U.S. corporate power structure unveils a two-fold approach to manipulating the public.
Moving from rural Russia to the city, Den faces a new reality.
Godard blends elements of literature, cinema and other artistic medias from different historical periods in order to make a stance on how words can be subverted and manipulated to many different contexts, sometimes bearing a similar significance to the original material or even creating an alternate context.
This film concerns two mysterious characters who meet on a Sunday in Queens. Madeleine the most unsettling creature of that name since "Vertigo" is a middle-aged, moderately successful actress. Oliver/Matthew is either a homeless man or a famous film director or both. Madeleine hails him on the street as the latter, launching a bizarre chain of events that includes a conversation in a diner, a very unromantic sexual encounter, the arrival of Madeleine's odd husband and unsuspecting daughter, and a child's birthday party. The film also compassionately tracks the daily rounds of Oliver/Matthew's fellow denizens of the homeless shelter, some of whom will be recognizable to New York audiences.
A group of survivors take refuge in an apartment. But the zombies will not be their only problem, a fervent priest used his divine ability to extend the trial of his Lord on the hidden sinners.
After an altercation two men exchange cards, an invitation to adjudicate their differences on the field of honor. The seconds make all arrangements and at the appointed hour, the combatants appear. Both, however, are possessed of mortal fear and their aim is so uncertain that after numerous attempts and trials of various forms of weapons the seconds cheerfully call the match a draw.
A series of unfortunate events compels an unmarried woman to raise a child, not her own.
A short featurette available on the DVD for Once Upon a Time in Mexico (2003), released in January 2004.
Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.
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