Two rare 6-week-old clouded leopard cubs are given to a filmmaker, giving him the opportunity of a lifetime to examine the secret lives of big cats.
Return of the Rub-A-Dub Style charts the dual history of reggae soundsystem culture in Jamaica and its renewal at L.A.’s weekly Dub Club, held in Echo Park, where hardcore Jamaican micsmiths known as “deejays” come from around the world to “chat on the mic” with their lyrics of consciousness. Featured artists include Brigadier Jerry, Ranking Joe, Sister Nancy and U-Roy.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.
A man and woman, who've never met, are forced by circumstances to share the same apartment. A remake of the 1933 film "Rafter Romance".
A compilation of all the Sub Pop videos from the grunge era. Tracks include Nirvana's 'In Bloom' and Mark Lanegan's 'Ugly Sunday'.
"This is my 10th Show. It has to be celebrated !!! For the occasion I decided to give the floor to women !!! This is my first one-womanshow. Me as a woman .... I guarantee that men are going to take it up in the face… me first !!! " J-M Bigard
The 1791 La Clemenza di Tito (or 'The Clemency of Titus') marked Wolfgang Amadeus Mozart's final opera seria. With a libretto by Metastasio (edited slightly by Caterino Mazzolà), the work dramatizes the palace intrigues surrounding emperor Titus's attempts to coronate a new bride and the envious Vitellia's attempts to have Titus assassinated (with the help of Titus's friend Sextus) following the deposition of Vitellia's emperor father. Stage director Martin Kušej mounted Tito in August 2003, at the Felsenreitschule in Salzburg; a film of that live performance now appears in this home video release. The cast includes Michael Schade as Titus, Vesselina Kasarova as Sextus and Dorothea Roschmann as Vitellia. The Wiener Staatsopernchor, under the baton of Nikolaus Harnoncourt, provides musical accompaniment; Jens Kilian designed the sets.
Lyubanya, a hairdresser who has lost her job, and her eleven-year-old son find themselves in a difficult situation. She tries to borrow money from his girlfriend Simkina. She agrees to help, but only on the condition that Lyubanya will help her regain the man she loved, a certain Valeriy. Lyubanya must "accidentally" get acquainted with him and pretend to be his ideal, and when he falls in love with the "woman of his dreams" — leave him. Then Simkina will appear to "glue" Valeriy's broken heart, and at the same time their broken relationship. Out of desperation, Lyubanya joins in this game, but very quickly realizes that she has fallen in love. The heroine faces the question: how to tell Valeriy the truth about himself and their "casual" acquaintance?
Parched, ragged, and dragging a heavy iron chain, a lone Gambler hobbles eastward through the endless desert. Barely a day behind him, a blood-thirsty Marshal in a priest's collar is exterminating everything in her path, hellbent on catching her prey. When the Gambler inadvertently rescues a young boy from a town gone mad, the boy sticks to him like glue as they escape together before the Marshal arrives to burn the town to the ground. But when the Marshal finally confronts the Gambler, he must make a terrible choice if he hopes to escape with his life.
It's a story about post-90 generation in China and how they chasing their dreams through a talent show. The summer of 2013 saw a group of young boys enter a Chinese TV talent show called Super Boy, hoping to be catapulted to fame. The film documents how the young boys coped with their new challenging lives. While under unthinkable pressure, they proved themselves by trying to make the right choices during live shows. Talent shows create a new type of entertainer, but can they still keep their true selves? Can they adjust themselves and balance the ups and downs? What have the ten years of Chinese talent shows given us? What is urging us to grow up?
A plague ravages Buenos Aires. Those affected by it are executed on the spot; those who are healthy should report to the authorities. Escaping both from the authorities and from the disease, seven survivors head south.
"Fasih" plays in his father's lab, the Attar, which causes a demon to appear. The sprite burns, leaving a powder that hides what falls on it. A taqiyya is exposed to this powder and acquires a property that hides the one who wears it. Asfour discovers the capabilities of the trap, and uses it, but his enemy discovers the secret, and begins using Cap is against him
Time spent at two shores, one thinly populated, the other a wasteland, joined by the interluency of various paths taken, each bit real enough, though exact measures being obscurely indicated. Notions of home and its ache are, to borrow a phrase, “not capable of being told unless by far-off hints and adumbrations”.
21st Century detective Jake Cardigan is arrested for murdering the husband of his ex-wife. It seems like a frame up, yet Cardigan refuses to let the authorities investigate further or even deny any involvement in the killing.
Gabby is forced to take care of a strange animal called a Kango.
Daughter Lea persuades Véronique to attend her father's funeral in the south of France. It soon turns out that the family is completely at odds.
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