In a conflict ridden Kashmir, a Muslim half-widow finds herself, her 11 year old daughter and ill mother-in-law in a crisis when she attempts to get her missing husband's death certificate
Esthappan is a fisherman, who lives in a seashore colony. His story unfolds through narrations by other fishermen about his miraculous acts. Through the contradictory statements of these people, a mystical figure of Esthappan unfolds.
This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.
A young and beautiful female teacher starts working in an all boys high school.
An old Finnish athlete travels alone through eastern Europe with his van.
In this government-suggested sequel, Sugata again grows as a judo master, and demonstrates his (and by extension, all Japanese) superiority to the foreign warrior.
Mexican feature film
With the Gyaos re-emerging, Gamera's ties to humanity have been severed with his bond to Asagi broken. Nagamine and Asagi investigate while an orphaned girl named Ayana discovers a new creature she names Iris. Nagamine and Asagi must reach Ayana before she takes her revenge on Gamera, who she blames for the death of her family.
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His labors continue. There is no soundtrack. Images rush past - water, trees, and surfaces too close up to distinguish. He struggles. A fire burns. Nature, in long shots and magnified, is formidable and silent. It's tough going; he carries on. In a capillary, blood flows.
Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.
Jung-sik helps out a friend and finds himself attracted to his friend's mother. After being caught steeling the mother's underwear, he becomes the victim of the mother's seduction.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
The grand opening dedication ceremony of the Smithsonian's National Museum of African American History and Culture.
21st Century detective Jake Cardigan is arrested for murdering the husband of his ex-wife. It seems like a frame up, yet Cardigan refuses to let the authorities investigate further or even deny any involvement in the killing.
Corporations, billionaires and free-market ideologues see dollar signs when they look at American public schools. Billions of tax dollars are being diverted away from public school children under the banner of 'school choice.' Dark money contributors are funding free-market reformers to take over local school boards and transform American public education into a business. Parents, teachers and students are fighting back across the country.
Emily Bauer (Raquel Welch) is a successful psychologist with a happy home life who is suddenly stricken with the dreaded neurological affliction ALS (aka "Lou Gehrig's Disease"). At first, she is determined to fight for her life, but as her conditions deteriorates and she becomes more of a human vegetable, Ms. Welch begs her husband (Michael Gross) to help her die.
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