A clash between fishermen and poachers is surging on the Po river Delta. A local group of volunteers lead by Osso wants to save the river from overfishing and defend it from the Florians, a family on the run from the Danube region. They have with them Elia, who once was part of the local community and now is on the opposite side of the conflict. Overtaken by blind violence and thirst for vengeance, Elia and Osso will confront each other in the Delta fogs, discovering their real nature in a fight that has no heroes.
Totò is a tailor but not a great tailor. He is married and his son is to be baptized and Totò hopes that his grand-mother will be moved by the baptism, so moved to help him. Unfortunately his wet nurse Maria loses his son in the garden. Totò doesn't lose heart and rents Rita's daughter and leaves looking for his son. Many adventures are awaiting for him.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.
A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?
A horror short with no dialogue (Advised to watch with headphones)
8mm work directed by Norihiko Morinaga.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.
Jean des Bossons is a documentary-fiction which recounts the activities of a high mountain guide in 1947. Around Chamonix Mont-Blanc, the guide Jean des Bossons, interpreter by the mountaineer Armand Charlet, accompanies on mountain hikes, Jean-Pierre, an apprentice guide. The novice, skis on the shoulder, is already clumsy. The professional taught him how to travel on skis uphill and downhill, then mountaineering in ice and rock parishes. By dint of training, Jean-Pierre has made it his job. Guides are also lifeguards. A group went to a glacier to rescue a man who had fallen into a crevasse. During this rescue, Jean des Bossons is the victim of an accident. A drama that prevents him from practicing the profession, but not climbing. The man sinks into the fog and Jean-Pierre cannot find him.
A gay teenager is haunted by a shadowy presence while his parents are getting a divorce, he can't seem to convey his emotions to his best friend or make his family listen. His world is turned upside down when the shadow reveals to him a darker secret his family keeps to him.
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